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DANGER HOLE ZINE 2008
Issue # 7-XXX Her Legs & Hope to Pry pt 2- of D!HZine.

www.dangerholezine.com

Conducted By: Liouxsie

DANGER HOLE: You've mentioned the paradox of art v. porn in the past. This may be an unfair question, but what do you think differentiates art from porn, or vice versa? If there is a difference, what sort of qualities would you associate with art versus porn?

GLASS: Art and porn can both be tasteful, ugly, senseless, erotic, demeaning, awe inspiring, and nauseating. Erotic photography fuels ideas behind most of the art I create. Both entities arose voyeurs and tantalize the senses. One difference not everyone could be considered an artist but anyone can be a porn star.


DH: Do you consider your work to be pornography or erotic art? Is there a difference, in your opinion, between the sexually explicit, "provocative" artistic nudes, and "smutty," "tasteless" pornography?

GLASS: The christian right and other flock following groups have deemed my work pornography because they fear anything that doesn't adhere to their doctrine of living. They've been after me since day one as a young punk I lived in the bible belt down south not many kids around like me. My stuff could be considered erotic or fetish for the most part its pretty tame. Provocative art and smut shocking as it may be to the moral majority does rear its ugly head when it becomes fodder for frat frat boys, rapists, and child molesters.


DH: What would punk porn look like to you? Would there be a sense of humor in the imagery, strength in the characters? Would it be marketed and sold? Good production quality, or spread through grainy xeroxed zines?

GLASS: the first time I collaborated with a punk porn site pornforpunks.com one of the sets online was of a girl with a glass eye squishing meal worms between her toes. not my thing but but everyone has a vision. There was this movie Suburbia I saw back in the 80s featuring TSOL DI and The Vandals and a cast of gutter punks squatter kids (including a not them famous Flea of Red Hot Chili Peppers) living in a dilapidated forgotten suburb in CA. Punx Productions did a remake of this as a porno The Little Runaway starring Rachel Rotten and DI was in the cast like in the original. I would do something like this it was silly dirty fun. Public romps like an old school gig I would just add more leather and latex lite bondage. Market to independent record stores and sex shops run in limited editions like vinyl records with different covers mixing high end and traditional xerox art for each edition, until no ones buyin anymore.


DH: Is punk as a lifestyle/genre/fashion & political statement, an art form?

GLASS: The original punks were artists and degenerates sick of the world and music popularized around them. Using there talents created something that was their own. Punk is one of the more creative art forms since Dadaism. Unfortunately the mass media and general public have access to it nowadays and its watered down and acceptable not dangerous as it used to be. The real underground still holds integrity as artistic expression Search And Destroy and you'll find it.


DH: Punk is a very political subculture; sex, willingly or not, has become a pretty heated topic in the political world. Your art encompasses both punk and sexuality. Do you think politics play any part in your art, or can you see how they might have a place in a viewer's interpretation of your art?

GLASS: I try not to intermingle politics with what I do but there may be a few references entangled here and there. Viewers make there own interpretation. Recently I illustrated a record cover for a friends band Black President (look them up you wont be let down) its an outright political statement. Don't be confused with the name it has nothing to do with Obama and is not a literal meaning. The artwork is a raven chasing the bald eagle out of the presidential seal of the United States. I was also inspired by Arturo Vega who created the original Ramones logo he's a cool mutha fucker.


DH: Clearly, you value beauty and the female form. But more than that, you told alt-porn website Razordolls in an interview that you're into "strong willed women with twisted minds," "independent women with minds of their own who see through the bullshit force fed by modern society." Although you've faced some opposition from more radical feminists, given your love of beautiful, fierce punk lades, wouldn't it not be a total stretch to call yourself a feminist or at least pro-(strong)women?

GLASS: Opposition from feminists seems to be a thing of the past. There where no alternative porn venues or internet access at that time at least not readily available to the public. They just needed to get to know me. I wouldn't say I'm a feminist like I'm not offended by IL Duce(mentors). most of my friends are tough girls with radical exteriors. I prefer the company of more to their lives than a shopping mall. I don't dig feeble minded submissive followers so I guess pro strong woman is fair to say.


DH:Be honest: have you seen your share of pornos? If so, are you familiar with the more mainstream, 'traditional' pornography with Playboy-esque "whores-next-door"? Do you find your less traditional models more erotic? Why? Do you think everyone could benefit from more widely circulated images of these unconventional beauties?

GLASS: Of course but I'm not a porn aficionado still prefer photography to film. "Whores next door" I like that. those bimbos have everything. They are very attractive under all the airbrushing. Give me a tattooed latex wearing tattered t shirt rockin booted high heeled stompin fishnet tearing girl anyday. I've always found less traditional women more attractive an interesting. As a kid I had a thing for Debbie Harry (but who didn't) the android from blade Runner and Wendy O Williams. They blew me away never saw any girls that looked like that. woman of this caliber are more celebrated these days a lot of there look is consistently copied buy the mainstream since they cant come up with much original themselves. I think anyone could benefit from unconventional beauty. The cookie cutter barbie dolls will never go away.


DH: Do you think you're a misogynist or an artist for displaying these punk women in a pinup, scantily-clad light? Would you say your viewers are more likely to objectify and ogle your illustrations, or admire and appreciate them (or perhaps both)?

GLASS: Most of the girls I depict are real people I had the pleasure of immortalizing. I adore women I'm definitely no misogynist. My audience may appreciate the artwork but I'm sure they ogle the girls as most women and men do in general weather they care to admit it or not. Its animal instinct. Even strict Catholics cant ward off impure thoughts.

DH: As a punk artist, it's probably safe to assume you value DIY ethics, but as an artist, you also totally acknowledge the need of money to survive and support your new family. How do you balance being financially secure and still punk? Do you have any thoughts on what would make someone a "poser", or a "sell out"? o That said, in the case of the Suicide Girls (who you once listed as in inspiration to your work), do you feel that they can still stay true to authentic punk ideals even with their sharp marketing and promotional sense? Does their infiltration into the mainstream dirty up their punk roots at all, in your eyes?

GLASS: I am by no means financially secure unfortunately. Shit I just bounced my rent check this month. Being in my shoes is a gamble I'm for ever hustling. If I don't have any paying art gigs I balance it out with screen printing T-shirts for bands, artists, events and rock n roll tattoo inspired clothing lines. "No Future" right? I have along way to go until I can pay off depts incurred over the years, stop living in apartments, and cover all my bills and expenses. On top of it I have to provide for my family. I don't believe you have to be poor to be punk but but its and endless struggle for someone like myself. I'm always a day late and a dollar short.
Fake people copying the trends just to look cool is a poser trying to be something their not cause they are too shallow to find who they really are. Someone allowing the people financially backing them to make their decisions for them could be a sell out. I wish i could join the club and sell out of all my shit ha ha.
Suicide girls seem to be under control nowadays because of there popularity. Its ashame that I've been told some of the models have never been compensation for their participation. The photos are still stunning but there are many alternatives god girls, razor dolls, inky girls, barely evil etc. Nothing mainstream is really "Punk" to me Cash from Chaos ring a bell? Anyone can look the part today and be called Punk it doesn't mean shit anymore.


DH: In your illustrations, some of the themes are of violence (gun-toting warrior ladies and some wearing little more than blood and straitjackets) and others are of a lighter, almost cute,punky kitsch. How do you explain this extreme range? Do you view all of your models as capable of taking on that many dimensions?

GLASS: My girls are angry and so am I. Relationships have always been with woman of the Jekyll and Hyde order. They can fall in love or threaten to fuckin kill you. slap you square in the face or pamper you with sultry kisses. They could bathe you or drink lots of beer and piss on your chest.